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Bio / CV
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Art Project Live Performance

Vibrator Love of Sound V.L.S.S 10, V.L.S.S 9,
V.L.S.S 8,
V.L.S.S 7, 
V.L.S.S 6, 
V.L.S.S 5,
V.L.S.S 4, 
V.L.S.S 3, 
V.L.S.S 2, 
V.L.S.S 1,
V.L.S.S 0, 
  • Dream phantom
  • Black Star 
  • Guerrilla juice bar
  • National Anthem
  • Action Vacation
  • Fancy delivery gay 
  • The ecstasy of national anthem
  • Feminine Sound

Art Project
Group Exhabition


  • The “Vibrator Love of Sound” series 2012~2014
I am in the rear room Ohne mich


Curate Project


Bibliography


LiveSet / Event

  • Odd Sound Festival 2017
  • High Glass and High Class(h)
  • FreeTekno
  • Adult game club
  • Pokerman go
  • Sara Kane 4:48 rave theatre
  • Capitalism is a romantic liar
  • 色々

Sound/ Music Design
  • New Paradise of Silent Island
  • 2017 Parallaxpromo
  • Love Exposure 
  • Eugene Ionesco
  • Staggering Matter
  • I Love Nuclear album

VA
Release






Index︎

14:00~17:00  Live art

  YuJun Ye 葉育君

Taiwan

concept 

一個藝術家之死 

這是一個關於藝術與法律的作品。也是藝術家親身經驗。

回應chim pom作品中的藝術與政治性,藝術家葉育君,走在chim pom 的柏油道路上,隱喻一個步入官方藝術空間、公家體系藝術系統或暗指整個審判的過程。她穿著紙箱,紙箱上黏貼著事件後,收到的勞動部公文:決定書、訴願決定書,一路上黏貼公文於柏油路上後,用不同姿勢倒下,被蓋上“有罪”的印章,以及身體外圍被噴下猶如意外事件的亡者被警察圈出來的痕跡,那象徵因每次勞動部的回覆後的死亡或是這一連串的公文往返,記者會到現在的磨練心志。藝術家在重複性的行為中,更換著書寫的文字,這事件中,她認為的疑點:「交流並非勞務行為」、「藝術交流有罪乎?」、「何謂工作?藝術交流為何受限於就業服務法?」、「國際交流官方行,民間為何不行?」、「藝術交流這條路好難!」整個柏油路上,時有歡樂,時有觀眾看熱鬧的場景,或是其他藝術家的時尚走秀,形成強烈的對比。在最後來到美術館的門口,寫下「一個藝術家之死」,身體橫跨在一道門的兩側,躺下,一直到趴踢結束。


She had studied in France since 2001, and obtained a Master’s degree of Diplôme National Suprieurexpression Plastique from Ecole Nationale Supérieur d'Arts de Paris-Cergy and a Master’s degree of Art et Media Numérique from Paris1–Sorbonne. The forms of her works are mainly of performance arts, video installations, and sound performances, focusing on private and public spaces of bodies and public relations. During her time studying in France, she joined an international art group, Réseau Artskool, and learned dancing from Daniel Dobbels, a famous Franch choreographer. She has often been involved in cross-field cooperation with artists from other fields. Her works have been presented in Paris and Berlin several times. After returning to Taiwan in 2009, he has placed his focus on performance art in public spaces and the goal of “expanding the domain of art”, in hopes of bringing new possibilities to contemporary art through breaking the limitations on concepts and forms in the territory of art. His important works in the recent years include “City Action Series” (2009), “Treasure Palace Youth Hostel ” (2010), “Artistic Action & Record Exchange Movement” (2010, 2011), “Nippon International Performance Art Festival (NIPAF,japon 2011), and “One Night Band” (2011-2012) Guerrilla juice bar(2013),the garden for Alice(2013)“Month of Berlin Performance:(Con)temporary Space-Time“,(Berlin,Germany,2013), Louder Than the City Performance Art Festival --- (Hong Kong & Taipei,2013),iN-PAF Performance Festival(2013-2014)
She had joined the international art group Réseau Artskool, residing at Main d’oeuvre Art Center in France (2007) and resided at the Treasure Hill Artist Village (2010). 18th street art centre in L.A(2014). She is director of art space called “ Instant 42 ” in Taiwan.considering constructing and managing a space as a form in creation. This space is a complex art space with 3 major functions, art exhibition, studio, and artist-in-residence.
自2001年起,留學於法國,於國立高等巴黎­賽吉藝術學院取得國家高等造型藝術文憑,巴黎索邦大學新媒體藝術雙碩士。作品的形式以行為藝術、錄像裝置、聲音表演、以及跨領域表演,擅長運用多元的方式來說故事、近年來關注於移民議題、並試圖突破藝術與生活的界線。

曾參與國際藝術團體 Réseau Artskool,並於法國Main d’oeuvre藝術中心進駐(2007)、寶藏巖國際藝術村駐村(2010),18th street art centre駐村(Santa Monica,Los Angeles)(2014)。作品多次發表於巴黎、柏林、首爾、香港、釜山、上海、雪梨、重慶 、東京、長野、洛杉磯等。重要展演如:New World order(Casula Powerhouse art centre,雪梨.,2016)、重慶青年雙年展(2015.重慶)、N分鐘藝術節(上海.2015),個展El sueno de Los Angeles (18th street art centre,洛杉磯.2014),阿川行為藝術節(2017,2014)、INPAF #1-2行為藝術節(2013-2014策劃),柏林行為藝術節單元-時.空.間-台灣行為藝術家聯展(2013.柏林)、「太平洋羅曼史台北演唱會」(2016.台北)、 「台北.香港兩城行為藝術交流計劃」(2013.香港.台北)、NIPAF國際日本型為藝術節(2011.東京.長野)等。

自2013年起、她成立 Instant 42 藝術空間,一個兼具藝術展演/工作室/藝術家進駐三種功能的複合性藝術空間。

http://yujunye.blogspot.tw/


bettyapple 2018ˉ